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I Am Twenty (1965) Marlen Khutsiev; Valentin Popov, Nikolay Gubenko

I Am Twenty (1965) Marlen Khutsiev; Valentin Popov, Nikolay Gubenko

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This film is available either on DVD+R or as a direct download in MP4 format. Please make your selection above. The download option is a .zip file containing both parts of the film in two seperate files.

In Russian with English subtitles. Also known as Mne Dvadtsat Let and Zastava Ilijcha.

This is a 2-DVD set due to the film's nearly 3-hour running time. This movie was originally filmed in 1962 as Zastava Ilyicha (The Ilyich Gate). It was one of the first films that reflected the younger generation's resentment of the older generation's ways. The original title referred to Lenin's paternal name (his full name was Vladimir Ilyich Lenin). Even after the decanonization of Stalin, Lenin still remained the icon for the old generation. "Ilyich" was often used as an affectionate term in Soviet iconography. The film invoked Soviet premier Nikita Khruschev's sharp criticism. Meeting the studio members, he said: "Do you want us to believe in the scene where a father doesn't know how to answer his son's question "how to live?" At the censor's insistence the movie was re-cut and released under the "apolitical" title Mne Dvatdsat Let (I'm Twenty) in 1964.
In 1991, the film was re-released and shown at the London Film Festival with ninety minutes of the original footage restored, resulting in a film which was 175 minutes long. In the story, a young man palling around in Moscow with his friends is forced to confront the realities of his future and choose a direction in which to go. His friends are likewise brought up short by their limited opportunities for realizing their dreams. They have jobs or schools waiting for them, which are things their parents didn't have, so their older relatives are puzzled by the youngsters' evident distaste for their choices. Some of the restored scenes include one in which the boy meets his father's ghost, and a long scene which takes place at a poetry reading. The ghost scene, among others, represented a significant break from hitherto obligatory film conventions of social realism.

Reviews

Average Rating:
( 1 )
Chris Kuykendall from Austin, TX United States
November 3, 2016
Superb Cinematography of Early 1960s Moscow
Pleasantly surprised, I liked this better than The House on Main Street (Czechoslovakia), the Oscar winner in the Foreign-Language film category, or any other non-U.S. movie from the same year (1965). The black-and-white cinematography by Margarita Pilikhina is impressive. Apparently this was filmed during the brief "peaceful coexistence" thaw in (1) the Cold War and (2) Soviet politics, before th
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